I am a packrat.
Not as bad as I used to be, mind you – when you’re in college, you tend to want to travel as lightly as possible (although that didn’t stop me from loading a few plastic bins full of books and knick-knacks until the boxes fell apart from the sheer weight). I have a really hard time parting with things that may have a low material value but a high emotional value, something into which I’ve placed a memory of a specific time and place. Among these things include a piece of obsidian in the shape of an egg that my dad got me from a rock store when I was little, the beaten-up instruction manuals for Warcraft 2 and Diablo 2 I used to read again and again, and my tiny, no-longer-functioning Playstation One Mini with a broken CD tray lid that I got bought from a pawn shop when I was ten or eleven along with a beaten-up but functional 4-disk copy of Final Fantasy VIII (yes, that was my first FF title, and I LOVE it).
Despite this, you might think I’ve grown pretty callous to some of these precious memory-objects. The very first piece of cosplay I’d ever put together was a Master Chief helmet from Halo 2, made pepakura-style with paper and slathered with plaster and spray paint. It hurts to put on, it fogs up immediately, and quite honestly, I’m not that big into Halo; if I’m not mistaken, that’s just the kind of project an early 2000’s teenage boy does. Ashamed of the attempt, I tried to throw it away, but my dad fished it out of the garbage and demanded I keep it. My skills have developed since this first helmet, but I see now how it’s a good idea to hang on to your early work if only to help remind yourself of how far you’ve come.
When I look at a particular piece of pottery I made in junior high that has been sitting on top of my refrigerator at home for many years, I try to remember what was going through my head when I assembled it. It has strange carvings and symbols that make it feel like it should have a lot more meaning than it actually does. I haven’t sculpted with water-based clay for many years, and wish I could spend a few hours making clay boxes and pots in a non-graded environment again. I remember my ceramics teacher (whose name I no longer recall) had an impressive collection of glazes to choose from, and they honestly made my work stand out.
Something I think I’ll regret until my dying day is losing my earliest writings and stories. On my dad’s Power Macintosh, I would write fantastic stories about airship mechanics and giants and magic and what I thought was deftly written political intrigue. I would write dialogue that in hindsight sounded terribly hammy and over-the-top. I would have idea after idea, and start story after story, and it would always involve the same characters with different names, over and over, just a little different than before. I would let the Macintosh’s text-to-speech tell me my stories so I could hear them out loud, but I would turn it off the moment mom or dad came into the room. I don’t think I’d even shown them any of my writing until I was at college level simply because I was too afraid of what they would think of the things that came spewing forth from my head.
Hopefully they still exist in that old machine.
It was from one of those stories that Aeo and Leon became characters, although in their original forms, Aeo had an older brother who cared for him, and Leon was a much younger gentleman than he is in Alyssum.
Do you hang on to anything from your early days that reminds you of better times? Maybe some things remind you of a time you’d sooner forget, but you can’t seem to throw it in the trash because of the psychological attachment you’ve created with it. I don’t think there’s anything wrong with memory-objects. Not everything deserves the honorary title of “keepsake” or “family treasure”, but everything from old articles of clothing to files on an old Power Macintosh computer can stand as early mile markers on your journey. Some of these objects can trigger good memories, some can dredge up some really bad ones, and some took a lot of time to create or purchase.
Even names can hold special meaning for us. Supreme Leader Snoke may have insisted that they weren’t Sith in the latest Star Wars movie, but Kylo Ren had at one time been Ben Solo just like Darth Vader had once been Anakin Skywalker. Fortunately, I doubt most people change their names to go to the Dark Side. In real life, many transgender people change their names to reflect their new personal identities, and I can understand the desire to leave behind who they once were. Although I can’t find it now, I did recently read an AskReddit thread about the reasons people change their full names, and many people mentioned the Jewish tradition of taking on a new name after overcoming a serious illness or personal tragedy. Some who attempt to commit suicide set down their old names and pick up a new one as a way to dedicate themselves to a more hopeful and meaningful future.
To change gears here just a bit, I’ve been thinking about the connection to the past we all have and how we make choices based on our past experiences. The choices we make in our daily lives have to come from somewhere. Whether our choices are defined by the decisions our parents or our siblings made, or from the circumstances from which we were raised (good or bad, rich or poor, religious or not), the choices we make in the present and the destinations we’ll reach in the future are at least in some small way dictated by the past. “No man is an island, entire of itself,” after all, socially, consequentially, or chronologically. My past is made up of both voluntary and involuntary consequences. For example, on one hand, my very involuntary bipolar depression condition is hereditary, and has greatly affected the choices I’ve made. On the other, I am not fully defined by my limitations; my voluntary decisions to develop my writing abilities despite the difficulties in doing so has led me to employment opportunities where I can use my skills to serve others.
I am ruled by my upbringing as well. The choices I make reflect both the voluntary and the involuntary nature of my past. Anyone can attempt to ignore parentage and upbringing, but they have an effect regardless in both subtle and not-so-subtle ways. Even if I wanted to, could I separate myself from my past so thoroughly that I could act independently of any parental or generational interference? Without my memories or upbringing, for all intents and purposes, would I be a different person? Would that person be a better one than the one I am now because of the complete separation from a biased past? More or less capable of compassion? More or less detached from taking personal responsibility? More confident or arrogant? More self-conscious or mentally stable? Or just as capable?
What happens to that person when every connection they have to the past is suddenly cut? And what happens when an entire society of people suddenly forget something very important from their past in a single instance?
For Voices of the Shattered Sun, I’m trying to work out two things that I don’t quite know how to deal with: what happens when a frightened slave boy is suddenly given nearly unlimited power over his captors, and what happens to a nation that collectively forgets everything it used to know about the war it fought with its fatherland.
The first one I can develop with time: Aeo is determined to not let his past define his future. Needless to say, Aeo had a name before he became a slave. Will he take on his birth name and forget his slave name, choosing to become someone entirely different? Or will he forge his own reality and refuse both his birth and his circumstances? I haven’t determined the complete circumstances surrounding it yet, but something is going to happen to Aeo (whether in Alyssum or one of the future connecting novelettes) that will cause his memories to be severed (think Kingdom Hearts: Chain of Memories and what happened to Sora). Let’s just say that the Wound in Tiathys is more than just a hole in the ground, and Aeo is going to fall into it. The Wound is more like a hole in reality and time itself. No one ever comes back from the Wound because technically… no one’s ever fallen in. And if they had, they never were. Got it? *wink wink*
The second is a little tricky: what kind of event would be terrible and soul-crushing enough to make a royal power-hungry despot go from “fire every weapon of mass destruction we have at those bastards” to “we need to stop, bury this deep, and forget it even happened”? How would a nation even collectively forget such an event without waving a magic wand and suddenly it just happened (because that feels like a cop out). Answer: I don’t think it can happen without a very specific magic wand. What if the memory of that event were so destructive and so pervasive, the mental and psychological pain of the event would be passed down genetically through the generations of the men and women that witnessed it, waiting only for the right physical trigger to release or even spread devastating pain? Would that trigger be a word, a phrase, a sight, a sound, a scent, or…
*ahem* Pardon me. I just had an “ah-ha” moment. Seems I have some writing to do. What if psychometry weren’t a blessing, but a well-designed and very lethal poison? Who designed it, and for what purpose? Or, worse yet, is it just a natural phenomenon that happens to kill people with particularly painful past experiences? For those interested in the subject, check out the superpower wiki on psychometry as well as the TV Tropes page on the same subject.
Ooh, hee-hee, plans are brewing.
Names are symbols. Objects can trigger memories. There’s a reason a lot of story protagonists have meaningful names and carry or hunt for McGuffins. Some things I’ve been writing and some things that happened over the weekend got me thinking about the kinds of memories we place in objects, the choices we make, and how the past defines our present and our future, both good and bad.
But what did we really learn? That I can philosophize and type frantically on a keyboard. YAAAAY!!
2 thoughts on “Backstage Tales – Connecting the Past to the Present”
I had a character once who encountered memory-modification magic and basically viewed it as equivalently unethical to mind-control magic, if not worse, because in his view it was involuntarily changing who a person *is*.
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That’s awesome. I think it would be unethical, even if the person wanted to purposefully forget or “remember” more pleasant but manufactured memories (reminds me of what the Railroad does to synths in Fallout 4). And would it be unethical to access the memories of ancestors, even for necessary historical information (ala Assassin’s Creed)? How important is the privacy of a dead man?
I still have a lot of details to work through for this story to make sense. My biggest hurdle is if I want to follow this rabbit hole as far down as it can go, and I think my answer is already shaping up to be “NO GOOD HEAVENS PLEASE NO”. 😀